No person escapes death.
Just as their birth
Was out of their hands
So is the end.
In the never ending battle between right and left brain thinking I too often let the left hemisphere rule. When I drive I seek the most efficient route rather than the nicest one. When I shop I have on blinders in the form of an explicit list and I exclude everything else from even the consideration of purchase. And when I work I focus intently on the logic behind what I’m building.
None of these left brain tendencies are bad. But left unchecked they become authoritarian dictators that squeeze out exploration, wonder and the beauty of design. This is why I’m trying to make it a concious point to approach events in my life through a lens of creative observation. I don’t always make it happen. Sometimes I’m in a hurry. Sometimes I need to accomplish something that requires a logic-only process and I neglect shifting into a right brain thought pattern. But whenever I am able to view the world in a creative, spatial or exploratory way, I tend to be more satisfied at the end of the day.
This map shows you just how fleeting life really is. I’m not sure if the joy of the births offset the horrors of the deaths.
Photographers spend most of their time trying to take sharp photos. They set their camera on a tripod and ensure a fast enough shutter speed. They’ll sit around for hours waiting for the wind to die down before they trigger the camera. And when they do trip the shutter, it’s usually with a remote switch so they don’t have to touch the camera and shake it.
I’ll admit, I typically do the same. There’s nothing worse than taking a shot that you think will look amazing when printed, only to discover there was a slight shake in the camera and now the picture just looks bad.
Lately, however, I’ve been experimenting with the practice of intentionally blurring some photographs. I got into it by accident. I was out taking photographs one day when, for whatever reason, I moved the camera significantly while triggering the shutter. The lines and color combining that resulted were cool. They almost looked like paint brush strokes. So I decided to try doing it on purpose. I would paint with my camera.
There’s a big difference between a blurry photo and an intentionally blurred photo. Blurry photos look like you were trying to get a clear, sharp image but you didn’t know what you were doing. An intentional or artistically blurred photo should remind you of something in a fine art gallery. If you’re going to try it, keep in mind that you still have to adjust for the optimum shutter speed, ISO and aperture.
When I shoot blurs I’m out in the early morning or late evening for the best light. I’ll set my ISO at 100 and open up my aperture fairly wide to an f/16 or f/22. There’s no need to blur your background with a short depth of field since the whole image will be soft. The shutter speed should be slow enough to allow your movement to matter. However, you don’t want it too slow or there will be no distinction at all.
The point is, you still have to pay attention to everything you normally would when shooting any type of photography. With the wrong light, subject, composition or exposure, your blur photography will still look bad.
Below is one of my favorite blurs. I was staying at an Airbnb in western Colorado farm country. While I was taking a walk one early morning I looked off in some bare trees in the middle of a field. I couldn’t believe it when I saw a muster of peacocks perched on the branches. There were eight or ten of them.
I didn’t have my camera at the time so I came back the next morning with it and tried to capture a few images. It was pretty early (read low light) and I was hand holding the camera. I knew I wasn’t going to get perfect pictures so after taking a few to prove to myself that I was actually seeing apparently wild peacocks in the middle of Colorado, I tried taking some blurs of them while they were flying down from the trees. The result was an oil painting like image.
Since then, I’ve blurred many subjects. It adds a whole new aspect to my photography and gives some variation to what I produce. It’s also artistically freeing during those times when I know I can’t capture perfectly sharp pictures. You can use any situation to your advantage, even when the situation seems to be giving you a disadvantage.
For several months now I’ve been posting something to the blog every day of the week. I’ve made it a point to create something (prose, poem, drawing, photograph) new every day and share it. But lately I’ve been feeling like weekend posting is too much. Even something good like writing can benefit from a disruption in the routine.
I don’t want to get out of the habit of creating something every day. But I think I’m going to go down to posting only 6 days a week by taking Sundays off.
Over the years I’ve written prose, short fiction and poetry. But consistently writing, refining and finishing pieces has always been a struggle for me. Sometimes I’m inspired. The words just come to me. Or my first draft says exactly what I wanted it to say and in the way I wanted to say it. However, those pieces are rare and they’re not usually produced at will.
There’s a solution to this problem. It doesn’t have anything to do with methods or techniques. There’s just one little trick that I need to employ that solves my consistency and production issues. The trick is to write.
I tend to fear imperfection in my writing. More than that I fear not having anything useful to say. Not writing anything certainly takes the imperfections in my writing. And I don’t have to fear writer’s block. But I also ensure that I’ll never create anything good. I’ll never have the satisfaction of producing polished pieces or anything I’m proud of.
I think writing nothing is much more troubling than writing something bad.